Cuore are fundraising now for our first professional recording, planned for 2026, featuring premiere recordings of music by composers associated with the choir, including:

• A Can of Lilt (2026). A tour de force of mouth sounds, extended vocal techniques, and lilting of originally composed material at times evoking traditional Irish style, with modal fusion of tonalities. Commissioned by Cuore from alumna Anne-Marie O’Farrell with the support of the Arts Council.
• To a Child Dancing Upon the Shore (2025). A beautiful setting of the evocative W. B. Yeats poem. Commissioned by Cuore from emerging Polish composer Michał Ziółkowski to celebrate our 10th anniversary.
• Other music (TBD) written for Cuore and/or by current and former members.

If you’re inspired by what we do and would like to support our first commercial recording or to fund other commissions, we’d love to hear from you!

Join us for a festive evening of uplifting choral music from around the world and across the ages in the beautiful acoustic of St Mary’s Church, Haddington Road, Ballsbridge, Dublin 4.

To include Irish premieres.

Tickets available now from Eventbrite or on the door. Buy now for super-early bird discount!

There will be no interval and the concert will last about 75 minutes.

A sold out joint concert on the longest day of the year, featuring Cuore and two visiting American choirs on their tour of Ireland and the UK.

The Georgia Symphony Orchestra Chorus and the Uzee Brown Society of Choraliers are distinguished community ensembles from greater Atlanta, Georgia USA. Following several years of successful collaborative concerts, the choirs expressed a desire to travel together and perform abroad.

We are very grateful to Anna Weiss, a native German speaker and qualified pedagogue, who joined us in the second half of tonight’s rehearsal to give us her expert feedback and guidance on our German diction. Anna regularly coaches singers in the Royal Irish Academy of Music and has previously worked with Irish National Opera.

It was wonderful to work in detail on subtle nuances and tell-tale signs, such as the ich-Laut, that can separate native German singers from non-natives. Small tweaks in pronunciation can make a big difference to the beauty, clarity and expressiveness of our singing.

Tonight’s workshop focused in particular on the text of Psalm 91 in Felix Mendelssohn’s Denn er hat seinen Engeln befohlen, as we prepare for an upcoming European Grand Prix competition (watch this space for more details!).